• Jennifer Archibald

    Jennifer Archibald

    Dance Founder & Artistic Director of the Arch Dance Company

    JENNIFER ARCHIBALD is the founder and Artistic Director of the Arch Dance Company and Program Director of ArchCore40 Dance Intensives.  She is a graduate of The Alvin Ailey School and the Maggie Flanigan Acting Conservatory where she studied the Meisner Technique.   Archibald has choreographed for the Atlanta Ballet, Ailey II, Cincinnati Ballet, Ballet Memphis, Kansas City Ballet, Tulsa Ballet II, Ballet Nashville; and worked commercially for Tommy Hilfiger, NIKE and MAC Cosmetics as well as chart-listed singers and actors. She was recently appointed as the first female Resident Choreographer in Cincinnati Ballet’s 40-year history. In 2018, she will be creating new works for Cincinnati Ballet, Tulsa Ballet, Grand Rapids Ballet, Amy Seiwert’s Imagery, Ballet Nashville and Stockholm’s Balletakademien next season.  


    Archibald’s works have been performed at venues including New York’s City Center, Lincoln Center, The Kennedy Center, Aaron Davis Hall, Jacob’s Pillow Inside|Out Stage and Central Park’s Summerstage Mainstage. Jennifer was awarded a Choreographic Fellow for Ailey’s New Directions Choreography Lab under the direction of Robert Battle.  She is 2015′s Choreographic Winnings recipient by the Joffrey Ballet. She also choreographed “Seven”, a biographical work about Olympian Jackie Joyner-Kersee, commissioned by St. Louis based MADCODance Company.  Her new work “Delilah” is currently touring Scandinavia. Arch Dance Company’s “Chasing Shadows” will be remounted for Dallas Black Dance Theater for their 2018/19 season. Jennifer is currently an Acting Lecturer at the Yale School of Drama.

    In 2015, she was appointed as Guest Faculty Lecturer to develop the Hip Hop dance curriculum at Columbia/Barnard College. Jennifer is also a guest artist at several universities including Fordham/Ailey, Purchase College, Princeton, Virginia Commonwealth University, University of South Florida, Goucher College, Columbia College Chicago, and Bates College. In 2017, she premiered new works for Miami New World School of the Arts, South Carolina’s Governor’s School of the Arts, Ailey Fordham, Boston Conservatory, and Point Park. Internationally, she has taught master classes in Brazil, Bermuda, Canada, Italy, Slovenia, Sweden, France, Russia, Mexico, China, and Ecuador.

  • Thaddeus Davis

    Thaddeus Davis

    Dance Dancer, choreographer, and teacher

    Thaddeus Davis is the Co-Artistic Director of Wideman/Davis Dance and is currently on faculty as an Assistant Professor at The University of South Carolina.  Davis’ professional performance experience includes work with the following companies: Donald Byrd/The Group, Dance Theater of Harlem, Complexions Contemporary Ballet, Fugate/Bahiri Ballet NY Dance Galaxy, Indianapolis Ballet, Fukuoka City Ballet, and Atlanta Dance Theater.  

    Davis has taught as a Visiting Professor at the University of Iowa and for the following professional dance companies and programs: Alley II, Boston Ballet, Dance Theater of Harlem, Ballet Quorum, Portugal, Northwest Professional Dance Project, COCA , Ballet Austin, Ballet Classical Dominican, Dominican Republic, Spectrum Dance Theater, Steps on Broadway.

    Learn more about Thaddeus Davis.

  • Garth Fagan

    Garth Fagan

    Dance Founder of Garth Fagan Dance, SCGSAH Presidential Guest Artist 2019

    Critics have called Garth Fagan “a true original,” “a genuine leader,” and “one of the great reformers of modern dance.” Fagan is the founder and artistic director of the award-winning and internationally acclaimed Garth Fagan Dance, now celebrating its 47th season. An “Irreplaceable Dance Treasure” Tony and Olivier Award winner, Fagan continually renews his own distinctive dance vocabulary, which draws on many sources: a sense of weight in modern dance, torso-centered movement and energy of Afro-Caribbean, the speed and precision of ballet, and the rule breaking experimentation of the postmoderns. “Originality has always been Mr. Fagan’s strong suit, not least in his transformation of recognizable idioms into a dance language that looks not only fresh but even idiosyncratic,” writes Anna Kisselgoff of The New York Times.
     

    For his path-breaking choreography for Walt Disney’s The Lion King, Fagan was awarded the prestigious 1998 Tony Award for Best Choreography. He also received the 1998 Drama Desk Award, 1998 Outer Critics Circle Award, 1998 Astaire Award, 2000 Laurence Olivier Award, 2001 Ovation Award, and the 2004 Helpmann Award for his work on the Broadway musical, which opened in fall 1997 to extraordinary critical praise. Fagan’s distinguished work in the theater also includes the first fully staged production of the Duke Ellington street opera, Queenie Pie, at the Kennedy Center in 1986 and the opening production of Joseph Papp’s New York Shakespeare Festival’s Shakespeare Marathon: A Midsummer Night’s Dream (1988), set in Brazil and directed by A.J. Antoon.
     

    In the world of concert dance, Fagan choreographs primarily for Garth Fagan Dance. “An evening spent with Garth Fagan Dance is a humanity-affirming event” Victoria Looseleaf .  His work, Mudan 175/39, was named by The New York Times as the third of the top six dance watching moments of 2009. The company continues to be cited for its excellence and originality ”Consider the Fagan program a prime example of the versatility and sophistication of concert dance in this new century.”  The Los Angeles Times. Fagan has also produced commissions for a number of leading companies, including his first work on pointe, Footprints Dressed in Red, for Dance Theatre of Harlem; a solo for Judith Jamison, Scene Seen, for the debut of the Jamison Project; Jukebox for Alvin for Alvin Ailey American Dance Theater;Never No Lament for the José Limon Company; and Ellington Elation, part of a triad of pieces commissioned by New York City Ballet in honor of Duke Ellington’s centenary and New York City Ballet’s 50th anniversary. In 2012 Lewis Segal wrote "...it was American master Garth Fagan who best fused technical virtuosity with conceptual depth... soul-deep conviction and spectacular flair….the indispensable dance experience of the year.”
     

    Fagan began his career when he toured Latin America with Ivy Baxter and her national dance company from Jamaica. Baxter and two other famed dance teachers from the Caribbean, Pearl Primus and Lavinia Williams, were major influences on Fagan. In New York City, Fagan studied with Martha Graham, Jose Limon, Mary Hinkson, and Alvin Ailey, who were all central to his development. Fagan was director of Detroit’s All-City Dance Company and principal soloist and choreographer for Detroit Contemporary Dance Company and Dance Theatre of Detroit.
     

    In October 2001, Fagan, a native of Jamaica, was presented with the Order of Distinction in the rank of Commander: a national honor bestowed upon him by the Jamaican government. In August 1998, he received that country’s Special Gold Musgrave Medal for his “Contribution to the World of Dance and Dance Theater” and at Prime Minister P.J. Patterson’s Independence Gala, Fagan was presented with the Prime Minister’s Award, a plate bearing the signatures of all the prime ministers of Jamaica, acknowledging his achievements.
     

    In 2012 Garth Fagan was selected as an “Irreplaceable Dance Treasure” by The Dance Heritage Coalition, An irreplaceable dance treasure has made a significant impact on dance as an art form, demonstrated artistic excellence, enriched the nation's cultural heritage, demonstrated the potential to enhance the lives of future generations and shown itself worthy of national and international recognition. In 2011, the Institute of Caribbean Studies, which celebrates excellence in literature, science, technology, community service, and corporate leadership, presented Fagan with the Marcus Garvey Lifetime Achievement Award. In 2012, the University of Rochester and its Frederick Douglass Institute for African and African-American Studies awarded The Frederick Douglass Medal to Fagan to acknowledge his scholarship and civic engagement that honor the Douglass' legacy. In Fall 2017, Garth received A Lifetime Achievement award from the American Dance Guild.
     

    He is a Chancellor’s Award-winning Distinguished University Professor Emeritus of the State University of New York, and taught for over three decades at the State University of New York at Brockport. In the fall of 2003, Fagan received the George Eastman Medal from the University of Rochester for “outstanding achievement and dedicated service.” He holds honorary doctorates from the Juilliard School, the University of Rochester, Nazareth College of Rochester, and Hobart and William Smith Colleges. In 2001 he was the recipient of the Golden Plate Award and was inducted into the American Academy of Achievement. In 1996 he was named a Fulbright 50th Anniversary Distinguished Fellow. Fagan received the 2001 Samuel H. Scripps American Dance Festival Award. He is the recipient of a Guggenheim Fellowship and a prestigious three-year choreography fellowship from the National Endowment for the Arts.  In recognition of his contribution to modern dance, Fagan has received the Dance Magazine Award for “significant contributions to dance during a distinguished career” and a Bessie Award for Sustained Achievement. Other awards include the Monarch Award from the National Council for Culture and Art, the Lillian Fairchild Award, and the Arts Achievement Award from his alma mater, Wayne State University.

  • Mark Godden

    Mark Godden

    Dance Choreographer and Dancer

    Award-winning, internationally acclaimed choreographer Mark Godden has been The HARID Conservatory’s resident choreographer since 1995. His relationship with HARID, however, began in 1992 when director Gordon Wright first invited him to create a new work for the students. Godden has returned each year since then to set new works on the students and his annual visits have become an integral part of the school’s curriculum.

    Godden danced professionally as a soloist with the Royal Winnipeg Ballet and spent a brief period of time in Holland with Jiri Kylian’s renowned company, Nederlands Dans Theatre. He was resident choreographer of the RWB from 1991 until 1994, when he moved to Montreal and began working independently.

    Godden’s ballets have won awards at the Banff Festival of the Arts, the Varna and Helsinki International Ballet Competitions, and (for HARID) at the Youth America Grand Prix National Final in New York. He is also a recipient of the prestigious Choo San Goh Award. Several of his full-length ballets have been made into award-winning films. In addition to the many works he has created for HARID over the years, Godden has made ballets for Boston Ballet, American Ballet Theatre’s Studio Company, Royal Winnipeg Ballet, Les Grands Ballets Canadiens du Montreal, Ballet Florida, Ballet Gamonet, Compañia Nacional de Danza in Mexico, Ballet Contemporania in Argentina, Ballet Memphis, Alberta Ballet, Milwaukee Ballet, Ballet British Columbia, BalletMet, American Repertory Ballet, Louisville Ballet, North Carolina Dance Theatre, and Northern Ballet Theater in England.

    Ballets created for The HARID Conservatory include Agram, Baffled Kings Composing, Capsize, Corazón de la Llama, Diversions, Fable, Gracioso, Laudon Loudon, Sarabande, Speaking in Tongues, Taal, Three-Quarter Moon, Tightrope, The Unanswered Question, What Can I Tell My Bones?, and Why Are You Here Today?

    Learn more about Mark Godden. 

    (Bio Credit: http://harid.edu/resident-choreographer/)

  • Alonzo King

    Alonzo King

    Dance Founder of LINES Ballet, SCGSAH Presidential Guest Artist 2018


    Alonzo King has been called “a visionary choreographer, who is altering the way we look and think about movement." King calls his works ‘thought structures’. created by the manipulation of energies that exist in matter through laws, which govern the shapes and movement directions of everything that exists. Named as a choreographer with ”astonishing originality” by the New York Times, Alonzo King LINES Ballet has been guided by his unique artistic vision since 1982.
       
    King has works in the repertories of the Royal Swedish Ballet, Frankfurt Ballet, Ballet Bejart, Les Ballets de Monte-Carlo, Joffrey Ballet, Alvin Ailey American Dance Theater, Hong Kong Ballet, San Francisco Ballet, Hubbard Street Dance Chicago and many others. He has collaborated with distinguished visual artists, musicians and composers across the globe including Pharaoh Sanders, James Campbell, Hamza El Din, Pawel Szymanski, Jason Moran, Charles Lloyd and Zakir Hussain.

    Renowned for his skill as a teacher, King was honored with the Lifetime Achievement Award by the Corps de Ballet International Teacher Conference in 2012. An internationally acclaimed guest ballet master, his training philosophy undergirds the educational programming at the Alonzo King LINES Dance Center of San Francisco, which includes the pre-professional Training Program, Summer Program, and BFA Program at the Dominican University of California.
     
    King’s work has been recognized for its impact on the cultural fabric of the company’s home in San Francisco, as well as internationally by the dance world’s most prestigious institutions. Named Choreographer of the Year by Danza & Danza in Italy and a Master of Choreography by the Kennedy Center in 2005, King is the recipient of the NEA Choreographer’s Fellowship, the Jacob’s Pillow Creativity Award, the Irvine Fellowship in Dance, the US Artist Award in Dance, NY Bessie Award, and the National Dance Project’s Residency and Touring Awards. In 2014, King was appointed to the advisory council of the newly established Center for Ballet and the Arts at New York University; in 2015 he received the Doris Duke Artist Award in recognition of his ongoing contributions to the advancement of contemporary dance. Joining historic icons in the field, King was named one of America’s “Irreplaceable Dance Treasures” by the Dance Heritage Coalition in 2015. San Francisco Mayor Gavin Newsom presented the 2nd Annual Mayor’s Art Award to Alonzo King in October 2008. He also received the Barney Choreographic Prize from White Bird Dance in April 2013, numerous Isadora Duncan awards, the San Francisco Foundation’s 2007 Community Leadership Award, the Hero Award from Union Bank, the Lehman Award, and the Excellence Award from KGO.  In October 2012, the San Francisco Museum & Historical Society named Alonzo King a "San Francisco Treasure."

    He is a former commissioner for the city and county of San Francisco, and a writer and lecturer on the art of dance; his contributions appear in the books Masters of Movement: Portraits of American Choreographers and in Dance Masters: Interviews with Legends of Dance. In 2005 he was awarded an honorary Doctorate by Dominican University of California, the Green Honors Chair Professorship from Texas Christian University as well as an honorary Doctorate from CalArts.

  • Lissette Salgado-Lucas

    Lissette Salgado-Lucas

    Dance Teacher and Choreographer

    Miami, Florida native, Lissette Salgado-Lucas, has danced with the Joffrey Ballet, the Miami City Ballet, the Joffrey Ballet, and the Royal Winnipeg Ballet where she became Principal dancer. Salgado retired as a dancer in Winnipeg, Canada and was asked to join Artistic Dance Center in Miami as the Assistant Director, a position that she currently holds. She has guest taught at the North Carolina School of the Arts, South Carolina Governor’s School of the Arts and Humanities, Laguna Beach Dance Theater and Dillard High School for the Performing Arts. Furthermore, she has been invited to teach master classes and workshops as well as judge in statewide competitions. Lissette and her husband David are the Founders/Directors of Shake the Ground, The Ultimate Dance Competition and the sister company Universal Ballet Competition.

    Learn more about Lissette Salgado-Lucas.